Sunday Review: Shattered

An album of loud purple sounds. Someone popped their eggnog on a fruitcicle and created a new dessert.

When you go looking for an album of magnificence in groove and the possibility of a meow style, you pick downtown for the bass line and uptown for the tempo.

All the guitars work together like a saddle fits on a horse. Everybody finds their way.

Of course the drums do all the talking when they say n”sp “sp “sp “tat “tat and that bass is walking like it don’t care none except right here.

When people say things about me, I’m the baddest mountain. Like a thunder rolled in and said “hey!” Where all my dancers at?

Track One starts out clean and keeps riding till it’s over, no stops, just a belly up slouching cruise with a clear wind carrying the salty coastal air.

Track Two begins calm, but then finds an off ramp and gets subdued when it seems to find a clearing toward the beach.

Track Three is like a reflection of your grandmother’s memoirs that jot down everything from cookies to coastal swims. Beach days are fun, and everyone gets along just fine.

Track Four is a little more calm except when it tends to escalate for a minute as if to say, “hey, I’m here.”

Track Five continues onward like a boat on an anchor, swaying in the sea. The world can’t help but to bring rain. It’s just life.

Track Six reminds us of our mothers and fathers of the world. Those who lift us up.

Track Seven reads like “a Day in the Life,” and sings like “Bitches Brew.”

Track Eight tells us when to be happy and it’s all the time. “Could you be loved?”

Track Nine has more to say. And it’s that “we want more wine, and whiskey, and a good night’s sleep as much as possible. Someone needs to remind us of this more often, and that’s what this song is all about. Funk layered with harmonies and horns and a laid back approach to life in general. Just finding connection and being willing to embrace it for what it is and to do good wherever possible.

Track Ten someone told me to write them a song and here it is. I’m here for you.

Track Eleven slow grooves and a soft voice with some percussive style, congas and hand drums. Where a groove gets locked in. We are here.

Track Twelve bring rain and birds. In no particular order, someone lights a fire in the sky. With no warning, a siren calls and tempts.

Track Thirteen there is always morning to freshen the mood. The warm sun brings a calm. It feels good to soak it in and feel whole. Cosmic guitars bring a groovy vibe.

Track Fourteen we live in a musical space. Sound is our friend. We know it when we heart it. Soothing, vibey, a tip of the hat. A step in my walk. It’s all the same. Just groove with it.

~ Just Groove With It

All Rights Reserved 2021

Release Date 1/21/21

The Road Ahead

The Road Ahead envisions the world as a better place. This better place, like all human constructs, is only as real as you make it.

The song, Long Couple of Days, is about finding your groove. This, and other new songs, will be released as the Cosmic Cowboys.

The Road Ahead is like finding your way home. Coming Home.

See tags

The past is future

Positivity in motion

Cosmic cowboys ?

I can feel it in my teeth. The tingles gives one a feeling of both numbness and pressure. The rolling waves crushed me to the bones, but I was not afraid. From hammer to stone, it is my only feeling.

“Where will we go?” she asked as the canyons echoed.

Just then the phone rang…

Perspective In Sound – Making Music with Riley Hodges

RILEY HODGES·THURSDAY, MARCH 14, 2019

Riley Hodges is a musician from Long Beach, CA. Having grown up in the bar business, Riley operates Shannon’s bars, restaurant and entertainment venue with his family.

Over the past few years as the Shannon’s businesses have grown, Riley has endeavored to focus more on creating and playing music. His latest project is Life on Mars.

Friday, October 13, 2017 at The Compound Studio, Long Beach, CA –
Photo by @hey_andrewg

Life on Mars is an eclectic-rock album that was inspired by a journey through Iceland in 2016. The song Live One writes about this experience, asking, “What’s it like to be a stone shot into magma bursting out?” From there the album took shape as a metaphor for life on Earth, what we’ve done here, how we’ve grown, our follies… and if we went to Mars, what would we want to bring and do differently?

Life on Mars album artwork by Eric Stoner – ericstonermixedmedia.com

The album conjures a utopian dream where virtues like Empathy and Courage are held in high regard. The songs chat an earthly tone with the opening track, Streetwalker, reciting the exclaims of pedestrian life through bouncy beats, clean guitar riffs and a padded saxophone, while Maybelline, a dreamer for equal rights wanting to sleep among the stars, follows a laid-back funk-rhythm that is supported by uplifting vocals and a Hammond B3.

September 2016 photo by RH – “As you drive along Víðidalur, you will come to Kolugil Farm which stands beside the Víðidalsá river. Just below the farm, the waters flow peacefully downwards to plunge into the deep, rugged gorge called Kolugljúfur. Their journey then sends them cascading over many waterfalls which bear the name Kolufossar Falls in honour of the giantess, Kola. It is a breathtaking sight to drive across the bridge and watch the calm waters of the river suddenly leap and tumble onwards over so many impressive falls – a sight which will leave no one unmoved.” – northiceland.is

C’est La Vie reminds us that such is life while drawing the listener into a world of psychedelic and bouncy rhythms whereas Coming Home brings us back to solid ground by expressing the simplicities of passionate love with a pedal-steel, rocking solos and female backing vocals to support words like, “That old house feels just like a smile sittin’ on a summer night, and maybe we’ll smile while we’re rockin’ on a ‘lil baby porch swing.”

September 2016 photo by RH – “Iceland is a country in the North Atlantic Ocean that is aptly known as the “Land of Fire and Ice”. It is an island born out of volcanic eruptions over millions of years. Up until 8000 years ago, the entire island was buried under ice.” – youngzine.org

Next up, Live One takes aim at the god within us all, rooted in the evolving chaos of actual rocks and forms of matter underlying the processes behind life on earth: “If One is a gift to the many, God is manifest in contemplating. Between this and that are those that seek nought in the shackles breaking. Stillness in your mind, it feels just like a loving kiss. I wonder if it’s known that we can be the nothingness…” Expect 2 minutes of soaking and frantic saxophone to convey the messages further sonically as the song finales.

September 2016 photo by RH – “Kirkjufell (Icelandic: Church Mountain) is a 463 m high mountain on the north coast of Iceland’s Snæfellsnes peninsula, near the town of Grundarfjörður. It is claimed to be the most photographed mountain in the country. Kirkjufell was one of the filming locations for Game of Thrones season 6 and 7, featuring as the “arrowhead mountain” that the Hound and the company north of the Wall see when capturing a wight.” – wiki.org

If the first half of the album is dreamlike, the second half shows that reality has finally set in. Let It Go stories the simple wisdoms of attachment as jangly strings quickly turn to screaming guitars, wet vocals and apoplectic lyrics, and Long Couple of Days follows a more balanced path using folk elements and a classic line, “Shoo fly outta my way.”

September 2016 photo by RH – “ancestors of the Icelandic horse were probably taken to Iceland by Viking Age Scandinavians between 860 and 935 AD. The Norse settlers were followed by immigrants from Norse colonies in Ireland, the Isle of Man and the Western Isles of Scotland.” – wiki.org

Finally, High Low culminates in energetic fashion with heavy drums and heavy distortion to make a statement anthemically that given a choice of high or low, “we can go high” and “when you’re ready to come we can light sparks.”

September 2016 photo by RH: SVÖRTULOFT AT SNÆFELLSNES PENINSULA – “Sailing in the Faxaflói bay and the Breiðafjörður bay in the western part of Iceland might be secure and calm, but traveling from one to the other can be quite tricky. The sailing by the tip of Snæfellsnes peninsula, past Svörtuloft is still a serious business. Throughout the centuries there have been drastic incidents and casualties. Ships have stranded, and as anyone can imagine looking at the sharp and black lava cliffs, this is not a good place to strand a ship. Most of them are quickly blown to pieces by the shore. The formation of the cliff is quite spectacular as they are dark and black lava cliffs.” – hiticeland.com

Check out the promotional release of Live One, and full album release in May 2019.

If you like my writing, please check out more where that came from.

Special thanks to Antoine Arvizu at The Compound Studio, and to Eric Stoner for use of the album artwork, APOCALYPTICUS ROMANTICUS.

Sunday, October 15, 2017 at The Compound Studio, Long Beach, CA – Photo by @hey_andrewg
Sunday, October 15, 2017 at The Compound Studio, Long Beach, CA – Photo by @hey_andrewg
Photo by Andrew @ The Compound Studio while recording album, “Life on Mars” with Riley Hodges (left), Tim Bullock on bass (center), Antoine Arvizu on drums (right)

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