T-minus 7 days . . . New Single: Street Walker . . . Friday, 4.12.19
I am thinking of a color across the spectrum and through the eyes of a child’s inflection of viewpoint of innocence for minds shut off to the world with happiness and lollipops for all the boys and girls because our streets are paved of gold for bigger interests than the walkers who labor and beg for some business but health in consequence limits their potential whereas our assistance can make or break their survival.
The new single, Street Walker, is from my upcoming album, Life On Mars. I wrote this song after an experience I saw on the streets of Long Beach. A guy walks by and grabs a drink from a bar table that we put in place for guests, not the dirty street-walkers. But this guy grabbed and sipped a Vodka Soda and set off a chain reaction. I intervened to tone down the ensuing battle and a regular named Wild Bill was there just in time to hand the streetwalker a cigarette to keep his moving and grooving on down the line.
I’m listening to the song now with earbuds at home. I just walked over to pet my black cat, Jeep, and as the song was playing I thought it would be cool to shoot a video that has a kind of first person POV of me getting up in the morning, petting Jeep, do a little this and a little that and I’m out the door off to the streets. I guess I’d have to hit the bar for this one.
Will explore further. Until then, I’ll quote the first verse:
Coming up like a shadow in the night. Gotta get high before the dawn. The morning sun don’t care about me. Where’s my next opportunity?
Having grown up in the bar business, Riley operates Shannon’s bars, restaurant and entertainment venue with his family.
Over the past few years as the Shannon’s businesses have grown, Riley has endeavored to focus more on creating and playing music. His latest project is Life on Mars.
Life on Mars is an alt-rock album with eclectic elements that was inspired by a journey through Iceland in 2016. The song Live One writes about this experience, asking, “What’s it like to be a stone shot into magma bursting out?” From there the album took shape as a metaphor for life on Earth, what we’ve done here, how we’ve grown, our follies… and if we went to Mars, what would we want to bring and do differently?
LIFE ON MARS ALBUM ARTWORK BY ERIC STONER – ERICSTONERMIXEDMEDIA.COM
The album conjures a utopian dream where virtues like Empathy and Courage are held in high regard. The songs chat an earthly tone with the opening track, Street Walker, reciting the exclaims of pedestrian life through bouncy beats, clean guitar riffs and a padded saxophone, while Maybelline, a dreamer for equal rights wanting to sleep among the stars, follows a laid-back funk-rhythm that is supported by uplifting vocals and a Hammond B3.
Riley Hodgesis a musician from Long Beach, CA. Having grown up in the bar business, Riley operates Shannon’s bars, restaurant and entertainment venue with his family.
Over the past few years as the Shannon’s businesses have grown, Riley has endeavored to focus more on creating and playing music. His latest project is Life on Mars.
Friday, October 13, 2017 at The Compound Studio, Long Beach, CA – Photo by @hey_andrewg
Life on Mars is an eclectic-rock album that was inspired by a journey through Iceland in 2016. The song Live One writes about this experience, asking, “What’s it like to be a stone shot into magma bursting out?” From there the album took shape as a metaphor for life on Earth, what we’ve done here, how we’ve grown, our follies… and if we went to Mars, what would we want to bring and do differently?
Life on Mars album artwork by Eric Stoner – ericstonermixedmedia.com
The album conjures a utopian dream where virtues like Empathy and Courage are held in high regard. The songs chat an earthly tone with the opening track, Streetwalker, reciting the exclaims of pedestrian life through bouncy beats, clean guitar riffs and a padded saxophone, while Maybelline, a dreamer for equal rights wanting to sleep among the stars, follows a laid-back funk-rhythm that is supported by uplifting vocals and a Hammond B3.
September 2016 photo by RH – “As you drive along Víðidalur, you will come to Kolugil Farm which stands beside the Víðidalsá river. Just below the farm, the waters flow peacefully downwards to plunge into the deep, rugged gorge called Kolugljúfur. Their journey then sends them cascading over many waterfalls which bear the name Kolufossar Falls in honour of the giantess, Kola. It is a breathtaking sight to drive across the bridge and watch the calm waters of the river suddenly leap and tumble onwards over so many impressive falls – a sight which will leave no one unmoved.” – northiceland.is
C’est La Vie reminds us that such is life while drawing the listener into a world of psychedelic and bouncy rhythms whereas Coming Home brings us back to solid ground by expressing the simplicities of passionate love with a pedal-steel, rocking solos and female backing vocals to support words like, “That old house feels just like a smile sittin’ on a summer night, and maybe we’ll smile while we’re rockin’ on a ‘lil baby porch swing.”
September 2016 photo by RH – “Iceland is a country in the North Atlantic Ocean that is aptly known as the “Land of Fire and Ice”. It is an island born out of volcanic eruptions over millions of years. Up until 8000 years ago, the entire island was buried under ice.” – youngzine.org
Next up, Live One takes aim at the god within us all, rooted in the evolving chaos of actual rocks and forms of matter underlying the processes behind life on earth: “If One is a gift to the many, God is manifest in contemplating. Between this and that are those that seek nought in the shackles breaking. Stillness in your mind, it feels just like a loving kiss. I wonder if it’s known that we can be the nothingness…” Expect 2 minutes of soaking and frantic saxophone to convey the messages further sonically as the song finales.
September 2016 photo by RH – “Kirkjufell (Icelandic: Church Mountain) is a 463 m high mountain on the north coast of Iceland’s Snæfellsnes peninsula, near the town of Grundarfjörður. It is claimed to be the most photographed mountain in the country. Kirkjufell was one of the filming locations for Game of Thrones season 6 and 7, featuring as the “arrowhead mountain” that the Hound and the company north of the Wall see when capturing a wight.” – wiki.org
If the first half of the album is dreamlike, the second half shows that reality has finally set in. Let It Go stories the simple wisdoms of attachment as jangly strings quickly turn to screaming guitars, wet vocals and apoplectic lyrics, and Long Couple of Days follows a more balanced path using folk elements and a classic line, “Shoo fly outta my way.”
September 2016 photo by RH – “ancestors of the Icelandic horse were probably taken to Iceland by Viking Age Scandinavians between 860 and 935 AD. The Norse settlers were followed by immigrants from Norse colonies in Ireland, the Isle of Man and the Western Isles of Scotland.” – wiki.org
Finally, High Low culminates in energetic fashion with heavy drums and heavy distortion to make a statement anthemically that given a choice of high or low, “we can go high” and “when you’re ready to come we can light sparks.”
September 2016 photo by RH: SVÖRTULOFT AT SNÆFELLSNES PENINSULA – “Sailing in the Faxaflói bay and the Breiðafjörður bay in the western part of Iceland might be secure and calm, but traveling from one to the other can be quite tricky. The sailing by the tip of Snæfellsnes peninsula, past Svörtuloft is still a serious business. Throughout the centuries there have been drastic incidents and casualties. Ships have stranded, and as anyone can imagine looking at the sharp and black lava cliffs, this is not a good place to strand a ship. Most of them are quickly blown to pieces by the shore. The formation of the cliff is quite spectacular as they are dark and black lava cliffs.” – hiticeland.com
Sunday, October 15, 2017 at The Compound Studio, Long Beach, CA – Photo by @hey_andrewgSunday, October 15, 2017 at The Compound Studio, Long Beach, CA – Photo by @hey_andrewgPhoto by Andrew @ The Compound Studio while recording album, “Life on Mars” with Riley Hodges (left), Tim Bullock on bass (center), Antoine Arvizu on drums (right)
Perspective In Sound 